Angebote zu "Forces" (18 Treffer)

Ibanez Prestige Rgr5220m-tfg Transparent Fluore...
1.999,00 € *
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Anzahl der Saiten: 6 Halsart: Super Wizard HP Halsgelenk: Bolt-on Halsmaterial: 5pc Ahorn / Wenge Halsabschluss: Satin Polyurethan Halsstärke (1. Bund, mm): 17 Halsstärke (12. Bund, mm): 19 Skala (Zoll): 25,5 Maßstab (mm): 648 Nussbreite (mm): 43 Endbreite (mm): 58 Anzahl der Bünde: 24 Griffbrett: Gebundener Vogelaugenahorn Griffbrettradius (mm): 430 Bundtyp: Jumbo Edelstahl Bundkantenbehandlung: Prestige-Bundkantenbehandlung Inlay: Versetzter Perlmuttpunkt Obermaterial des Körpers (für Festkörper): Esche Körpermaterial (für Körper): Afrikanisches Mahagoni Körperende: Satin Polyester Gesamtlänge (mm): 984 Körperstärke (mm): 44 Körperlänge (mm): 452 Körperbreite (mm): 311 Brücke: Lo-Pro Edge Saitenabstand (mm): 10,8 Aktiv oder Passiv: Passiv Nut: Verriegeln Machine Head: Gotoh®-Mechaniken Hardware-Farbe: Cosmo-Schwarz Hals Pickup: Nackte Knöchel Brute Force (H) Bridge Pickup: Nackte Knöchelbrutkraft (H) Bedienelemente, Tonabnehmer: 1 Lautstärke, 1 Ton, 3-Wege-Hebelschalter Andere Schalter: Coil-Tap-Schalter Side Dot Inlay: Luminlay-Seitenpunkte Saitenstärke (von oben nach unten): .009 / .011 / .016 / .024 / .032 / .042 Spezielle Saiten: D'Addario® EXL120 Abstimmung (von oben nach unten): 1E, 2B, 3G, 4D, 5A, 6E Empfehlen Sie Fall oder Tasche: Hardshell Fall eingeschlossen Andere Einzelteile enthalten: Tremolo-Arm, Multiwerkzeug, Inbusschlüssel Packungslänge (mm): 1130 Packungsbreite (mm): 428 Packungshöhe (mm): 147 Packungsgewicht (kg): 10,4 Nettogewicht (kg): 3,5 Anzahl der Saiten: 6 Halsart: Super Wizard HP Halsgelenk: Bolt-on Halsmaterial: 5pc Ahorn / Wenge Halsabschluss: Satin Polyurethan

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Advance Music Dobbins B. - Preludes Vol. 3 - Piano
17,90 €
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16,95 € *
zzgl. 4,79 € Versand

Preludes Vol. 3for pianoSix preludes for solo piano using vocabulary from both the classical and the jazz traditions.Prelude XIII (G flat) focuses on a lovely right hand melody that sits on top a constantly shifting set of rich and increasingly chromatic harmonies.The first improvised section suggests Debussy colors, while the second improvisation calls for a more traditional harmonic relationship, giving the pianist ample opportunities to discover intriguing roads to travel.Prelude XV (B) is a hauntingly beautiful waltz that cries out for tenderness and sensitivity in both the written and improvised sections. As with so much of Dobbins writing, the prominence of singing melodies over complex yet appealing sonorities allows the pianist to access a wide tonal range at the keyboard.Prelude XVII (E) is a brilliantly conceived study for the left hand alone. Again dipping into his rich harmonic bag of tricks, Dobbins provides the pianist broad stokes with which to paint.Prelude XVIII (C sharp minor) is a rhythmic tour de force, a modern jazz etude that demands a strong drive, steel fingers, and a quick touch.As in the previous two sets of Preludes, Dobbins has given the modern pianist a veritable new world to explore and to bring to modern audiences. He is challenging each kind of pianist (the non-improvising classical and the jazz pianist who may not perform written scores as a rule) to introduce themselves to the others way of communication. And in doing so, he is providing a fascinating, pianistic, and unique set of pieces, and possibilities for personal expression that become ever more personal each performance.Nombre de pages :40

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Alfred Publishing Mintzer Bob - Mofongo - Jazz ...
62,20 €
Rabatt
56,00 € *
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Composer Bob Mintzer is a major force in today´s jazz world. He is a renowned saxophonist/composer/arranger/band leader and member of the group The Yellowjackets. This chart is based on the Yellowjackets recording of Mofongo from their Mint Jam CD. Interesting colors and textures throughout this chart make it contemporary yet accessible. Brass ranges are modest and the open solo is for tenor saxophone and trumpet. A great choice for a festival or concert. This is a superb chart by a brilliant writer!

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Squier By Fender Left Handed Stratocaster 60s S...
529,00 €
Reduziert
444,00 € *
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The rough-and-tumble Classic Vibe Stratocaster ´60s evokes that musically adventurous decade, with a few modern features added. The alder body has a Three-color Sunburst finish; the ´60s-era vintage-tint gloss-maple neck has a rosewood fingerboard with 21 medium-jumbo frets and a modern 9.5 radius. The thick tone comes from the AlNiCo V single-coil pickups-quick attack with a bit more midrange force and a knockout bridge pickup. Custom staggered polepieces provide improved string-to-string balance. This versatile guitar is now available in a left-handed model. Profil du manche: Profil moderne, forme en C Nombre de frettes: 21 Taille des frettes: Medium Jumbo Radius de la touche: 9.5 (24.1 cm) Touche: Palissandre Matière du manche: 1-Piece Maple Finition du manche: Vernis du manche en polyester Largeur au sillet: 1.650 (42 mm) Longueur du diapason: 25.5 (64.8 cm) Configuration des micros: S/S/S Micro Chevalet: Micro chevalet simple bobinage Strat type Custom Vintage Middle Pickup: Micro central simple bobinage Strat type Custom Vintage Neck Pickup: Micro manche simple bobinage Strat type Custom Vintage Contrôles: Volume général, tonalité 1. (Micro manche), tonalité 2. (Micro central) Accessoires: Chromé Chevalet: Vibrato type Vintage synchronisé Mécaniques: Mécaniques de style vintage. Cordes: Tension Standard ; ST250L, NPS, (.009-.042 Tirants) Pickguard: Ecaille 3-plis

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Oxford University Press Blackwell K. & D. - Fid...
13,10 €
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12,00 € *
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pieces using the finger pattern 01-2-34, plus low 2nd fingers and high 3rd fingers 2nd and 3rd position pieces a range of bowing techniques, including spiccato, hooked bowing, and string crossing original pieces and duets in a range of styles, plus well-known pieces pieces using modes, the chromatic and blues scales, and dominant 7ths, linking with Fiddle Time Scales 2 a CD of performances and backings, with drumkit and bass added for the jazz and rock numbers piano and violin accompaniments available separatelyFiddle Time is a great series for young violinists. Packed with lively original tunes, well-known pieces, and easy duets, the series is carefully paced and organized to build confidence every step of the way.The new editions contain all your favourite pieces from the previous books, back by popular demand.Forces or CategoryEasy violin piecesDifficultyEasy

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Minerve Doussotj.e. - Vocabulaire De L´ornement...
19,00 €
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18,05 € *
zzgl. 4,79 € Versand

Vocabulaire de l´ornementation baroqueInséparable de la redécouverte de la musique dite « baroque », l’art de l’ornementation est un domaine complexe, encore mal connu, parfois mal maîtrisé. Fondé sur les techniques de l’art oratoire et les règles de la rhétorique, l’ornement n’est pas une adjonction facultative, mais bien un élément fondamental du vocabulaire musical. Même adapté à la musique instrumentale, il reste d’origine vocale, donc essentiellement véhicule des passions et des affects.Force méthodes, dictionnaires, ouvrages théoriques existent, publiés aux XVIIe et XVIIIe siècles, mais, souvent contradictoires, ils témoignent avant tout de la multiplicité des terminologies, pratiques et notations selon les compositeurs européens, ainsi que de leur constante évolution, en fonction des modes et du « bon goût » de l’époque, ultime arbitre. D’où, pour l’interprète moderne, des risques d’anachronisme ou d’un maniérisme sans âme, à l’inverse de l’effet recherché.Fruit de l’étude de centaines d’œuvres musicales, ainsi que de la plupart des traités existants, cet ouvrage propose une synthèse et une clarification nécessaires, afin d’aider artistes, étudiants ou amateurs à mieux comprendre et utiliser des techniques d’interprétation malheureusement tombées dans l’oubli mais indispensables pour pénétrer cet univers d’une extraordinaire richesse, reflet d’une des périodes les plus fécondes de toute l’histoire de la musique occidentale.Publié en novembre 2007, 192 pages, 15 x 21 cm, bibliographie, index des noms

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Kush Audio Electra 500
634,00 € *
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500 format version of the 5-band Electra EQ.The Electra is a 5-band serial eq that enables precise, musical control over the tone *and* the texture of recorded sounds. The novel combination of four meticuously tuned filter types --- a subtly resonant butterworth high-pass, fixed low shelf, two proportional-Q mids, and mastering style high shelf --- combine forces to open up completely new creative possibilities for how your tracks impact the emotions of the listener. On the mix, on busses, and on individual tracks... it does exactly what you want, and nothing that you don´t. The vibe of the filters is electric, with a crackling but incredibly smooth and detailed midrange, thick but tightly defined low end, and sparkling high frequencies that are unmistakeably analog. The Electra is yet another can´t make it sound bad Kush processor designed by an artist whose passion is to make the path between the sound in your head and the sound of your mix as short and effortless as possible.SPECIFICATIONS- 500 Series: Single Channel Eq- 19 Rack: Dual Channel Eq- 5 bands per channel- Hi Shelf: Sweepable 3.8 kHz - 20 kHz- Hi Mid: Proportional Q, Sweepable 250 Hz - 5.4 kHz- Lo Mid: Proportional Q, Sweepable 30 Hz - 730 Hz- Lo Shelf: Fixed 90 Hz- Hi Pass: 12 dB/Octave Butterworth with resonant ´corner´- Class A amplifiers- DC Coupled signal path- XLR & 1/4 TRS balanced i/o- 240V & 120V compatible- 500 series: Fader Mode, converts Low Shelf to Fader for channel strip operation

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Minerve Fichet L. - Le Langage Musical Baroque
22,00 €
Rabatt
20,90 € *
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Le Langage musical baroqueÉléments et structuresLa plupart des musiciens savent comment fonctionne la musique tonale, que ce soit à force de la pratiquer ou après des études dans les conservatoires. Pour aller plus loin et tenter de comprendre les origines de ce langage musical (qui reste majoritaire dans la culture occidentale), il faut se pencher sur la structuration du langage musical baroque, qui a permis la première stabilisation de la tonalité.On peut se demander pourquoi la musique tonale n´utilise que deux modes et non les cinq autres théoriquement possibles, pourquoi le mode mineur se présente sous trois aspects différents ou encore pourquoi certains accords reviennent plus souvent que d’autres (par exemple, ceux qui sont placés sur les degrés I, V, IV et II).Les réponses les plus probables se trouvent à la fois dans l´analyse de partitions de la période baroque et dans l´étude des théories de certains musiciens comme J.-P. Rameau.Aussi le présent ouvrage s´inspire-t-il largement des traités des musiciens ou des philosophes de l´époque (Rameau, mais aussi Rousseau, d´Alembert, Werkmeister, Kirnberger, Mersenne, Descartes...) ainsi que de théories plus récentes de musicologues (C. Dahlhaus, J. Chailley, S. Gut...), et parfois de l´auteur.Publié en octobre 2014, 192 pages, 15,5 x 23 cm, nombreuses illustrations musicales, index, bibliographie

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Sonor Vintage Vt 16 Three22 Nm 22/13/16 (no Dri...
2.725,00 € *
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The SONOR Vintage Series, made in GermanyAlready in the 60´s SONOR Teardrop kits were build to the highest quality standards and were highly rated by international stars like Connie Kay, Roy Haynes, Sonny Payne or Kenny ´Klook´ Clarke.SONOR Teardrop kits are one of the most sought after vintage drums. Utilizing rounded bearing edges, the new VINTAGE series drums represent the return of the ´old SONOR sound´ into its product line. SONOR introduced the 45 degree bearing edge in 1975, which we still use today on all SQ2, Prolite, and Force series drums. With the addition of the Vintage Series, drummers will have access to a complete palette of sounds that is uniquely SONOR.The SONOR team, in cooperation with artists and collectors, worked tirelessly to bring the new Vintage drum line as close as possible to the look, feel and sound of its predecessor the Teardrop drums. SONOR then combined its knowledge of modern drum building, with the look and sound of vintage drums, to create an instrument that will hold up to today´s modern playing.Like in the original Teardrop drums, the VINTAGE drum series feature hand‐selected premium German Beech shells with rounded bearing edges. We have carefully recreated the look and feel of the 1950´s teardrop lug and updated it with SONOR´s exclusive Tunesafe™ system. Being sure not to overlook any details, SONOR has redesigned the Superprofil triple flanged hoops and brought back the timeless SONOR badge and logo used in between 1952 and 1961.Vintage bass drums and shell sets are now available with the re-issue of the classic iron-shape bracket, which fits all SONOR single- and double-tomholder.shell hardware finish : chrome platedconfiguration : no bass drum bracketitem name : Vintage Series Three22 Shell Setseries : Vintageshell material : Beechitem description : VT 15 Three20 Shells NMdrums : 1 x Bass Drum 22 x 14 NM1 x Tom Tom 13 x 81 x Floor Tom 16 x 14(without snare, cymbals or hardware)

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