Angebote zu "Barclay" (4 Treffer)

Spartan Press Music A Renaissance Keyboard Anth...
13,00 €
Reduziert
11,90 € *
zzgl. 4,79 € Versand

Beautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.Bull Saint thomas WakeByrd Jhon come Kisse me NowGibbons The Woods so WildeMundy Fantasia ´Faire Wether´Philips Galiarda DolorosaRichardson Pavana

Anbieter: Woodbrass.com
Stand: 29.04.2019
Zum Angebot
Spartan Press Music A Renaissance Keyboard Anth...
13,00 €
Reduziert
11,90 € *
zzgl. 4,79 € Versand

Beautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.Anon. Alman Can Shee Coranto Dalling Alman Martin Sayd to his Man Muscadin The King´s Morisco Why Aske YouBull A Gigge ´Doctor Bull´s my Selfe´Byrd Coranto Sr. Jhon Grayes GalliardFarnaby Fayne would I WeddFarnaby The New Sa-Hoo The Old SpagnolettaJohnson AlmanPhilips GalliardoTisdale Pavana ´Clement Cotto´

Anbieter: Woodbrass.com
Stand: 29.04.2019
Zum Angebot
Spartan Press Music A Renaissance Keyboard Anth...
13,00 €
Reduziert
11,90 € *
zzgl. 4,79 € Versand

Beautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.Anon. Alman Can Shee Coranto Dalling Alman Martin Sayd to his Man Muscadin The King´s Morisco Why Aske YouBull A Gigge ´Doctor Bull´s my Selfe´Byrd Coranto Sr. Jhon Grayes GalliardFarnaby Fayne would I WeddFarnaby The New Sa-Hoo The Old SpagnolettaJohnson AlmanPhilips GalliardoTisdale Pavana ´Clement Cotto´

Anbieter: Woodbrass.com
Stand: 29.04.2019
Zum Angebot
Spartan Press Music A Renaissance Keyboard Anth...
12,55 €
Sale
11,90 € *
zzgl. 4,79 € Versand

The A Renaissance Anthology seriesBeautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.

Anbieter: Woodbrass.com
Stand: 29.04.2019
Zum Angebot